Kira Cordova

Playing Dumb

I preoccupy my prefrontal cortex with not presenting too precociously.

I preview a predominant predilection for presumptions

that pre-places a preamble of my precocity

in the periphery of people’s prejudgments.

I predict, with prideful presentism, to release previous pressure,

preset precious preservation and avoid the preterit, predicates, and prefixes

and pretend prefigured pretenses don’t pre-inhabit my premonitions

nor pre-create a personal mental precipice.

I prematurely proceed to preclude precise preceptory prepossessions,

my preclinical predicament of prehistoric precursory mental preparation

to eliminate the perception of preening

and present a lack of prerogative to placate the public.



But I suck at playing dumb.

Rebecca Collins

Baby Bird

He was gentle,

Sensitive even.

Conscious of its fragile nature

He picked it from its nest.



It fluttered in his hands,

And he cupped them to hold it tighter.



It was beautiful,

A creation he’d never witnessed before.

Its feathers weren’t grown,

It barely made a noise.



Young, innocent,

Damned.



Its eyes weren’t open.

Nobody’s were, except his.

His were wide,

Wide enough to see.



The mother would reject it when she returned

He was aware.



He let his fingers move,

Taking the time to stroke its head.

They parted and it slipped,

Falling to the grass beneath his feet.



With a certain step

It was crushed into the ground.



It was truly beautiful.

He knew what happened to beauty—

He knew what happened to hope.

This place was no place for them.



‘Mercy,’ he told himself.

This world is no place for innocence.

Kayla Kimbal

All That is Gold

Scraped knuckles from fist fighting compliments

The break of the Nile just to push

Deltas sliding past the shape of my nose

Breaking new sediment and rushing into panic




Eddied relief


Then panic again, to the torn disloyalty of worship

Incarcerated in the accusation of deceit

A rush on the holy kind of love




Imitating the match of matter at its force

Moving objects to persistence and performance

A claim on the subtlety of surrender




Alloy that holds and


carries and shakes


Into the static of the tin roof


under new rain


It twists and breaks from my hands


Shatters to the floor


to become a part of the tile


Molds its way into


and up my spine


To twist out knots in my back


of days hauled fast


It falls steaming into my cup


and I swallow it whole

Alexandra York


Baby Blue Spruce

I see you
A headstone for those before you
A beacon for those after
To sit beside a being that has seen the beginning of the world
Is humbling and yet
My mortality is weaved in our roots
We wither and decay,
There is truly no difference between you and I
Our lungs share the air
Both grounded beings with our head in the clouds
Painting the sky
Planted in the same soil
Yet, it’s as if we are in different worlds
Could you understand the human condition?
Better than I do?
We’re the same and yet,
I understand you as I understand myself
For I am as human as a tree

Mercury


Baggage

I drop my luggage
at the gate
try to walk away
board a plane
empty my brain,
but the baggage always stays.

Kelsey Valois

Monster of the Meadows

Beast of the rush,
Through the thicket and the brush,
Through the leaves and the trees
Through the paths of honeybees,
By the light of early hours
Through the trampled wildflowers,
Yellow eyes in the yarrow
Yellow eyes on the marrow.
Rustle rustle rustle,
Yellow eyes on the prize.

Golden eyes, amber eyes,
Where could such a monster lie?
Golden teeth, amber teeth,
Open maw, a serrated wreath,
Smashing teeth, gnashing teeth,
Snapping teeth and crashing teeth.
Heavy breath, labored breath,
Saliva drips and saliva swings,
Mighty roar, cursed screech,
Rustle rustle rustle,
Rushed stepping from maw’s reach.

Meadow tainted by the howl
Of a hunter on the prowl,
The denizens disperse
Futile dashes mark the worst,
Flattened grass marks the path
To escape the blight’s wrath.
On quick legs it does carry
Through the meadow and the prairie.
Rustle rustle rustle,
Into the trees and the wood’s disguise.

Golden eyes, golden eyes,
Golden eyes and golden teeth,
Golden eyes with stark black slits,
From within hellspawn sits,
Golden eyes, golden screams,
Rushing through the autumn trees,
Golden flaked with crimson streaks,
Red rushing through gold leaf.
Rustle rustle rustle,
And from the leaves the beast descends,
The red that marks the very end.

Beast in the rush,
Through the thicket and the brush,
Through the leaves and the trees
Through the paths of honeybees,
By the light of early hours
Through the trampled wildflowers,
Rustle rustle snap,
Yellow eyes in the yarrow

Yellow teeth in the marrow.

Elizabeth Felix

the curiosities of evelyn rose

she makes picture frames with windows in them
staring at the sky like it’s some kind of game
connecting the dots and pretending that whatever she draws will help her find herself
but every time she comes up with nothing but a mess of stars and blurry lights

I don’t remember the last time she said goodbye
every time I realize her absence she’s already returned
never to be missed or heard

it’s funny how she plays the fool in every scene
I always liked to think it was me, but

I forget her every time I close the lights

Kate Kulow

Medusa

What they do tell you is that the mighty God of the Sea and the Priestess couldn’t help themselves. No one controls the libido of a mortal, especially not one of a god. Not even a god could stop himself in the face of a potential quicky. Zeus has shown this a number of times.

Between Athena’s ancient pillars, the eye of an owl cracked open in the moonlight, as if sensing that something was amiss.What they do tell you is that, as the Goddess Athena slammed down onto the marble floor of her temple, she allowed the Sea God to leave the scene unscathed. Unleashing her anger on the mortal girl—her very own priestess—in front of her: snakes for hair, eyes of stone, tail of a snake. The Grey-Eyed Goddess birthed the Gorgon Medusa, punishing her for eternity with a fate worse than death. May every man fall in love with her, for she owns a face to rival that of the Goddess Aphrodite. May they love the beauty of her full red lips and that of her small sharp nose but let them not look up to her eyes, or else they’ll be turned to stone.

What they don’t tell you is this— They don’t tell you that Poseidon, drowning in his godly greed, sought out the young priestess himself. In his darkest enemy’s lair, he seduced the young girl, raped her, and took her virtue for his own. The Grey-Eyed Goddess fought him with everything she had, but blinded by her rage, she could no longer hold him. Drawing his strength from the sea, Poseidon fled the scene. As he escaped into Olympus, his fellow brothers turned a blind eye to his great crime. The Trident God went unpunished while the victim of his theft was forever marked with a wound that may never heal.

What they don’t tell you is that a fit of anger so great it could burn an ocean ripped through the Goddess Athena. With her face to the sky, she screamed and cursed the gods for their cruelty. Even as the ichor dripped from the half-moon slices in her palms, they did not hear her. What they don’t tell you is that Athena’s eyes softened as she peered down at the priestess. The girl clutched her stomach as if to keep her insides from falling onto the marble floor. The great Goddess of Warfare sinks to her knees in front of the small one, cupping her tear-stained face in her hands. Athena held the sweet child’s gaze to her own. “This will never be repeated,” she promised. A spark of hope glimmered in the priestess’ eyes. “May they never feel the silk of your beautiful, brown hair.” Her curls hissed. “May they never touch your skin.” “They are not worthy to meet your gaze.” “They will never again commit sin.” More and more, louder and louder, they chanted, until the Gorgon Medusa was born.

What they do tell you is that this is a story of punishment. What they should tell you is that this is a story of protection.

Zenda Olson

Excerpt from Stardust

INT. CHLOE’S BEDROOM – NIGHTTIME


Without the heavy hooting and grunts of the Football Bros, the house quiets down. Chloe is in her bed, staring at the ceiling. Her fairy lights give off soft lighting, and a breeze plays with the window curtains across the room. David Bowie plays softly. Off to the side by the window, Tippy is blowing smoke out the window. She’s staring outside, talking partially to Chloe and partially to herself.

TIPPY


You know, without the drinks, tonight would have been pretty shitty. I’m sorry I left you by yourself.

CHLOE


How many times do I need to tell you it’s okay?

TIPPY


Sorry... Is it okay?

CHLOE


No, Tip. Nothing is okay. It’s all a big mess, and you single-handedly helped the ceiling come down on me. Chloe shoots a smile at Tippy. Tippy jumps onto the bed next to Chloe. Both are lying together very close. Tippy is smoking a joint; she’s a little giggly, is a bit drunk. Tippy begins playing with Chloe’s hair.

CHLOE


Do you think I talk too much?

TIPPY


You’ve spent the last ten minutes or so lying here in silence. So, no, not really. Why?

CHLOE


Do you know that footballer Alex? Tippy gives an unconvincing nod.

CHLOE


Never mind. He was just being a good listener tonight.

TIPPY


or...

CHLOE


or...

TIPPY


You know or what. I saw you two talking. Chloe sits up a bit, so she faces Tippy

CHLOE


What the heck!

TIPPY


I’m sorry! You two were kinda cute sitting and talking for so long.

CHLOE


It was not that long and more like talked at! I was just rambling. It’s kind of embarrassing now that I think about it. I mean, I don’t even know the guy; he was just there, and I was just really needing to rant. Tippy lifts the joint to her lips.

TIPPY


Me thinks thou dost protest too much.

Chloe stops her from taking a hit by tickling her. The two are laughing very loudly, which echoes through the now empty house. The two can be seen sitting up on the bed, wrestling a bit. They eventually collapse back onto the bed. Both girls have big grins on their faces and are breathing heavily.

CHLOE


I never came out.

TIPPY


You didn’t tell them? Why not?

CHLOE


I don’t know. It just didn’t feel right. The more I think about it, the whole thing feels really wrong. It’s been a weird day.

TIPPY


The whole thing? Like the whole bisexual thing, or the whole having to talk to The Mother thing?

CHLOE


I don’t know. For a while, I think it’s just been more... the bi-SEXUAL thing. I’m not into it. I don’t know what’s wrong with me. It’s like I’m broken, or I’m missing something.

TIPPY


You’re not broken. Maybe you’re just not ready?

CHLOE


I’m not sure if I will ever be ready. Maybe I will, but right now, I just don’t get the hype over, you know?

TIPPY


Having sex.

CHLOE


Yep.

TIPPY


Bumping nasties.

CHLOE


Yes, Tippy.

TIPPY


Doing the dirty.

CHLOE


Yes, Tippy. I think we get it. It would be easier if I found someone I actually wanted to have sex with.

TIPPY


I guess, if you like finding out the girl you’ve been bumping nasties with has a boyfriend.

CHLOE


Oh, oof.

TIPPY


She’s still texting me.

CHLOE


Does she know you know? About the boyfriend, I mean.

TIPPY


Oh yeah, trust me, she knows. She wants to make sure I know not to reveal her horrible scandalous secret! It might upset the high members of her society!

CHLOE


Sounds like she’s scared. Maybe you shouldn’t be so dramatic. Just don’t talk to her if it’s that hard on you that she’s not ready to come out.

TIPPY


Why do you have to be so logical? Love isn’t logical, darling.

CHLOE


Oh? You’re in love now? Tippy takes another hit, holds it, and lets it out.

TIPPY


Maybe I am. Maybe I just like pussy. Who’s to say? The two girls laugh a little, teasing each other. Time moves forward to Tippy passed out on the bed and Chloe looking up at her David Bowie poster.

CHLOE


Well, what do you think? You were pretty sexual back in the day. Why can’t I be more like you? David Bowie’s poster looks at Chloe. She looks back, and shakes her head and looks away. “Under Pressure” comes on over everything as Chloe falls back into bed next to Tippy.

INT. OUTSIDE CHLOE’S ROOM – NIGHTTIME


“Under Pressure” is playing. The parents are home. The Mother cracks open Chloe’s door to check on her, noticing the two girls passed out in bed. She gives a soft smile and then a frown. She leaves the door cracked.

INT. CLOSET-CASE’S BEDROOM – NIGHTTIME


“Under Pressure” keeps going. The room is decorated in yellow and blue. She has a twin-sized bed. Everything is color-coordinated. The room is dark, almost void of light besides a phone screen. Closet Case is looking at Tippy’s contact information, struggling to text her.

INT. SCHOOL HALLWAY – MORNING


You know, “Under Pressure,” but’s it’s fading away. Chloe is getting everything ready for school, grabbing her books and whatnot. She gives Bowie a look, nodding at him. We hear Chloe’s voice as she looks at Bowie and closes her locker, making her way to class.

CHLOE (V.O)


Bowie and I had been talking. Also, I’d been researching, and we both decided on something. It made me feel like I was in the closet again, trying to figure it out. But, in a way, I was. So, I’m sorry for starting out this story feeling one way and leaving it another. Anyways, I think I finally figured it out. Chloe sits in class, staring towards the front of the class.

CHLOE (V.O)


I’m asexual.

Mercury

It

They romanticize and criticize it

Fall to the ground and bleed lies for it

Over fantasize and realize that it

Never leaves after fighting for it.

When it’s doubted and tried it

Betrays and ignites with it

A never-ending fire which it

Consumes in its path every bit

Of life and death and in between it

An array of broken glass amidst

The rubble and decay by which

Everything below and above

Our lives it will unhitch

This thing that we call love.

Lyndsey Gaddy

Pupil

Never leave a bottle of ink open; it will spill. Always put a book back when you are done with it, do not put it back in the wrong spot. Do not leave your desk a mess of paper; it is an eyesore. Always have a candle burning when you are at your desk, but only a scent we all enjoy. Do not use floral scents, Myrtle is allergic; not orange, Judith hates it; not pine, Darlene has bad memories associated with it; not peppermint, Steven is sensitive; and never lemon—you will be asked to leave and never return. Always use ink to write, never pencil. What if I make a mistake? Never make a mistake. Never interrupt anyone; they will perceive you as rude. Keep a journal—write down all your thoughts, and never show anyone. All journals must be approved by me. Always date your entries, so you never forget when events happened. No bright colors: they are offensive. Write letters to people to show them that they are appreciated, but never write love letters; they are cliché. Keep a plant at your desk; it will keep you happy and help with headaches, but never a flower; Myrtle is allergic. Learn a dead language like Latin or Ancient Greek; it will add to your character. Are we in a book? We will never know, but always be prepared. Only listen to classical music; the melodies will improve your writing. In your free time—go to museums, throw yourself into art and history and appreciate the small details. Drink coffee or tea, but never both on the same day. I don’t like either. Read every moment you can; the words on the page are oxygen so take a deep breath. Make sure no one steals a book; they are our pride and joy, and every missing book is like an arrow through the heart and brain. If you tear a page, tell someone immediately, even if you are scared. Will I get in trouble? That does not matter, you should always tell the truth no matter the consequence. Always bring a snack but never leave a mess, and never bring an orange. Judith hates them. Always bring a jacket, and do not blame others if you get cold. Make sure your plant is pristine without a single flaw. Report to me in person if anything out of the ordinary takes place. Make sure to water the gargoyles; they enjoy dark romanticism. Also be sure to feed the grotesque; they enjoy gothic fiction; never confuse the two; they will get angry and refuse to scare away the spirits. Always carry a map, but never show anyone. They will think you are lost. Do not disturb the ravens, they are collecting new stories. Do not bother the murder, they are protecting you, and they are not an omen. Never raise your voice louder than a butterfly. The only noises that should be heard are the turning of pages, flapping of wings, and creaking of floors. Always carry your favorite book with you; it helps keep you grounded. Write poems and sprinkle them everywhere you can; leave parts of yourself here. Read to the statues; they love hearing your voice. Do not climb on the buttresses; they are meant to fly; you are not the paintings' eyes may follow you. Do not fear them. They will go back home as long as you do not acknowledge them. Isn’t that a myth? Who is to say what myths are based in reality? Always carry mints with you, but not peppermint; Steven is sensitive. Layer your clothes like the layers in your writing. Never stay past midnight; that is when the murderer and the gargoyles do their work. Look at the stars through the stained glass; they look prettier that way. Always know what the date is; if someone asks and you are wrong, you will ruin their day. Keep a list of stories you enjoy in case someone asks for book recommendations; you do not want to disappoint them. Make sure to dust the bookshelves as dusty shelves make a book angry, and no one enjoys reading an angry book. Allow the books to age over time, as that is the natural order of things, but do not try to speed up or slow the process down. You are here for others first, so if anyone asks for help, stop what you are doing and help them. Always keep pieces of nature with you, except pine; Darlene has bad memories associated with it. Derideo te. All of us speak Latin, and I do not find you funny in the slightest.

Jaelan McCloud

How do black boys learn to fly?

*****


On February 12, 2012, a young boy—17 years old—named Trayvon Martin was murdered by a racist cop named George Zimmerman. Trayvon wore a dark black hoodie over his head while he walked down the street back to his home, carrying some skittles and Arizona tea.

I used to wear a hoodie over my head when I walked down my street to protect my skin from the Texas heat. At the time, I lived in Carrollton, a suburb right at the edge of Dallas. Walking down Josey Lane was routine like Milky Ways and chocolate pretzels—my favorites—for breakfast. Coming down a large windy hill that led up to the gate of my apartment complex and onto Josey, CVS sat right at the corner of the highway. Across the street was the waffle house my older sister worked at, and a small donut shop I adored called H Donut. Further down, other private businesses and rented-out office spaces always kept the lot full on that side of the street. On my side were some local restaurants and more private businesses that I never cared to entertain. The only thing familiar on this side of the street was the Burger King that mom took me to when she didn’t feel like cooking. Josey lane strolls were pleasant; the sky was like clear ocean water under the afternoon sun: bright and still; the grass next to the sidewalk was the brightest green I’d seen, a shade of green other than the hairless plots of sad soil, or the rancid wilderness of dull strings and vines I saw when walking around my block in Detroit.

Whenever I arrived at the CVS, I usually got the same thing: some type of candy and a drink. A lot of times, it was Arizona tea. I loved that tangy—and subtle sweetness—from the mango flavor. I remember my fingertips pressing into the frost around the can, the droplets falling from it when I took it from the fridge.

Me and Trayvon weren’t that different aside from our age and location. I was twelve; he was seventeen. I lived in Carrollton, Texas; he lived in Miami Gardens, Florida. I lived in the suburbs; he didn’t.

His death was my steppingstone into what it means to be black in America. My family members told me what it meant to be black, but I couldn’t quite understand it. However, my grandmother, Annie Mae McCloud, would always tell me this:

Never get too close to a white man. Treat them right, but don’t you ever trust them.

I swore up and down that she was racist. I always thought: how could you say something like that? I have tons a white friends. They’re just fine. I was right of course, but my grandmother couldn’t be objectively wrong from where she stood her ground. It wasn’t until I got older and talked to her that I understood why she’d still felt like this.

Annie Mae was a sharecropper who worked for a racist white family. She’d tell me how she worked from six to six under the southern Alabama heat as a young girl. She’d help grow a lot of different types of crops, mentioning how she’d be careful not to prick her fingers on the thorns of the cotton plants. When Annie Mae got older, she worked as a maid for another white family—her favorite movie ever is The Help for this reason. She’d tell me how they’d force her to use the bathroom outside the house. She told me how the family would purposefully leave money around, just to test her; to see if she really was just another nigger. The trauma became monotonous; so monotonous that one day, she had enough of it, and left it in the dust as she departed down their street. But even through her stories, something didn’t click inside of my mind. I didn’t really understand.

I’ve been called a nigger before, but nothing hurt me like seeing the images of Trayvon’s body on the news, under that yellow sheet with his white shoes poking out. It hurt seeing that young black boy laid out across the grass, breathless, lifeless. And then I saw how the media portrayed this black boy on the news. They showed America the images where he flexed his gold teeth, when he sagged his pants, when he looked in the mirror and pointed his middle finger up, when he blew weed smoke from his mouth. But then alongside these images, they had the fucking nerve to talk about how this black boy was a troubled youth, misusing his “image” to justify his death in that moment. You want to know the worst part? I had cousins and relatives I knew that smoked weed, sagged their pants, wore grills, and took flicks with their middle fingers in the air, and they were the kindest, most genuine people you’d ever meet…

Now that this young boy had been murdered, I forfeited a part of myself. The hoodie that I put over my head while I walked down Josey became shorts instead. The black metal pick with the fist at the end of it never touched my scalp again. And even more than after his death, I had to bury parts of my personality so that I could become the model black child because being myself was hazardous. I had already carried my grandmother’s pain, my ancestor’s pain, my family’s pain that came with being black against a white background. In his death, I now carried his pain, his family’s pain, his community’s pain.

*****


I wish I knew how Black boys could fly. All I have are my speculations.

On that Saturday in July, the Jury’s verdict was not guilty on all charges: for both second-degree murder, and the lesser charge of manslaughter. Me and my family sat in front of the TV, watching as the news reporter relayed the verdict to millions of people across the nation. Mother’s head drooped to the floor, her shoulders slumped while she leaned forward on the leg rest of the couch, shaking her head in defeat.

Oh my God! My sister screamed. She got herself off the dark brown oatmeal cushions of our couch, ran to the front door, opened it, closed it, and screamed into the dark ocean in the sky. Kaelan sounded like she was being killed, and she probably was. Some part of her died that day because I’d felt it too, even though I didn’t show it. Following her outside, I saw her on the grey pavement, crying, still screaming to God, and asking him why he’d let something like this happen. Looking up into the dark ocean, I asked him why too. Perhaps it’s true what people say about us. Maybe we are cursed.

You’d think that Trayvon would be able to fly after he died but letting his killer roam free after what he’d done was a reminder that he could never fly too far away. He could never fly away from becoming another statistic. He could never fly away from his melanated skin.

If he couldn’t do it, how can I?

To fly, we have to be superhumans. We have to be athletes that make it out of the trenches or overcome the systematic obstacles we’ve faced for centuries. To pilot our own destiny, we have to overcome generations of pain that run deeper than cuts, thicker than blood. To fly, we have to leave our families behind. Sometimes black boys fly in between the pews during church service. But it’s not just us black boys that get to fly during service; it’s all our black brothers, sisters, mothers, and family. It’s when we sit in those pews singing the ensembles of God that we begin to fly. We fly, not with wings, but with everyone’s voices as they lift us up from our seats. We stand up and raise our hands to the sky because somehow, the pain most of us bare alone is given to God. To fly, we fight for our wings in the streets. That’s how my family went about it a week after the verdict.

Mom took us to downtown Dallas, where for hours on end, we stood in the streets and on government property, letting our voices be heard. We stood there in solidarity, fighting for our right to fly away from the stigmas of our black skin. Standing there, marching, pointing our fist in the air in hundred-degree weather, my family, alongside other families, let their voices shake it. As many of them spoke, they shared their pain with us because it would be impossible to hold it in themselves. In sharing this experience, they began to heal their traumas, learning from their own as others shared their pain. I wish black communities would learn to do this more instead of creating a rift of violence between us. Once we learn to share this pain and turn it into power, then we will begin to create real change, and reclaim the wings we lost centuries ago.

Gissely Rodriguez

Breathe

It’s nine-thirty in the morning and the sounds of Hell trumpet beside me, mocking my attempt at a pleasant day. This is only day one of learning how to play an instrument whose name is so tainted that I’m too ashamed to speak it. Regardless, my former gifted student mentality takes control, forcing me to rehearse in my dorm well after the sun receded. I go over our assigned quiz piece until the static in my ears makes my brain itch.

Fine. I’ll take it note by note. D-C-B-A-G-D-C-A-G–wait, no. F-G-D–Fuck. That’s an E. D–No, low D. How long do you hold an eighth note? It can’t just be open to interpretation. Who the hell composed this?!

My breath is stagnant and sharp; swallowing throws me into a coughing fit. The mouthpiece shines with spit, yet my lips and tongue are dry. I reposition my fingers trying to kickstart my salivary glands, determined to make this work. My chest feels hot and my head light, but I don’t care. I breathe in, expanding my ribs, and exhale softly. My aching, sweaty fingers press harder on the tiny holes, and I blow:

Whoo-EEK. Again. Woo-EEEK. No. EEEEK.

My eyes close as I try to contain myself. I blow easily and the note comes out, quietly. I bring the volume up and hold it for a few seconds. My body eases and I have to keep from smiling so my lips don’t lose their position. I can feel myself getting excited and then...EK. Suddenly, I’m blowing pins and needles through this ridiculous instrument.

*****
There I was, standing on that scuffed, black stage, sweating more than a human should be capable of. My knees trembled and I feared I’d collapse before my audition was over. I had no previous experience with sheet music and the notes and staff blurred into one big ink splotch.

“Start whenever you’re ready!”

I glanced up at the director, my future choir teacher, and nodded. My jaw was stiff and my vocal cords had dried out. My brother, Ramses, had paved the way for me in the music department, starting a legacy that scared me shitless. He was a strong vocalist and dancer. Even though I had gotten into theatre before him, he had already surpassed me in every way. I had to prove that I was as good as him, better. I opened my mouth and imitated the song I had memorized the week prior, knowing I wasn’t going to be able to read the sheet music.

I blinked once, twice. The directors mumbled to each other as I tried to collect a single moment from my time onstage. I was dismissed without a word, and immediately I panicked. I messed up. No, no. Please. I want this so bad. What am I going to tell everyone? What am I going to tell Ma? I opened the door to the lobby and was submerged into a cacophonous bubble of hopeful teenagers rehearsing their music. As I mentally prepared myself to never speak to these people again, someone grabbed my arm and yanked me to the side of the auditorium doors. I reeled back as Ramses stooped down to better peer into my soul.

“So? How’d it go?”

Shitty. Happy?

I wanted to snark at him, maybe then he’d stop pretending to care. I wanted him to acknowledge my worth as his adversary; I wanted the weight of this one-sided rivalry to bear down on his shoulders, but I knew if I reacted in any unpleasant manner, he would tell Ma and I would lose, again.

“Honestly, I don’t really remember. I was so nervous–I think I blacked out for a second.” I pulled my arms tight around my abdomen and let out a cheap laugh.

Ramses stood up straight, his 5’10” frame effortlessly overshadowing mine, “You did great.” He spoke with the resolve of an unrelenting mountain that I was trying to knock down with petty insecurities.

*****
I ran my fingers down the gray-black gown draped over my body. It hung loosely over my stomach and tight on my chest, reminding me to breathe through my diaphragm. Not once did I ever rehearse my music outside of class, yet I strode onstage with a confidence no sophomore in high school should have. As my choir teacher lifted his arms into a horizontal-football-post position, my hands, slick with sweat, gripped the front of my dress. He flicked his wrists and a soft hiss would sound as we all took our cue to breathe in. His arms bounced once, twice, and the sopranos hit their first notes. Their melodies were like petals floating gently, beautifully, astride the gusts of wind that were the altos. I wanted so badly to be as perfect and as striking as them, to shine like a crystal set into an elegant gown. But I was an alto, doomed to a life of imperceivable notes and harmonies that would be nothing without the melody.

*****
“1, 2, 3, 4! 5, 6, 7, 8! 1, 2, 3, 4!”

I lifted my leg into the air with as much control as possible, the tired muscles weighed me down. I leapt and plie´-d and arabesqued the best I could. I focused on each minute movement of my body until breathing became an afterthought. By the end, I was lightheaded from forcing my body to take in the oxygen it had been begging for during the entire last half of my routine. Everyone huffed and puffed their way over to our choreographer, eyes shifting to each other, gauging one another's degrees of panic. The only one of us who strode forward as if daring anyone to tell him he did less than amazing was Ramses. He kept his chest up and his eyes forward; his face was set like a marble sculpture–hard, cold, and emotionless. My lips pressed together to keep myself from making a face and fixed my gaze on our choreographer.

Ramses’ self-assurance stoked a rage in me that burned deep in my stomach. While the rest of us pranced about like newborn lambs, he glided across the stage like a gazelle. Ramses’ specialty was aerials, which only made him stand out more fading us into the background. Of course, he was so confident–no one else could do what he did, there was no standard to hold him to. Regardless, he still practiced until his shirt was soaked and he was panting like the rest of us, acting as if he struggled just as much.

*****
The abrupt applause exploded throughout the auditorium. My first year of choir was drawing to a close like the heavy, velvet curtains before me. The fabric bashed together with an almost imperceptible thud, and the giggling, crying, and shrieking commenced. We all rushed offstage to find our families and bask in their praise. My parents sat in the section of lifted rows in the back of the auditorium. After being stopped every few feet by my friends and their families, I eventually made my way to my parents, only to find my brother had already beaten me.

“Hey! What’d you think? ¿Les gusto?” I bounced on the tips of my toes attempting to expel some of the manic energy overwhelming me. My mom scanned me up and down, her face tight. I stopped bouncing.

“We liked the show. You both did very good. I didn’t like you running around all crazy like that.” She spoke with her hands clasped in front of her, obscuring the playbill she was holding.

Right. I should’ve come straight back to them—calmly—and accepted any notes they had for me, just like Ramses. I should’ve done better. Ramses stood quietly beside me, hands in his pockets, ever the sentinel. No jittery energy or actions from him. I didn’t even have it in me to hate him at that point. After a year of boiling to the brim every time we were together, I was exhausted. My anger devolved into the volatile simmer of resentment. I’d resigned myself to the knowledge that I’d never be his equal. But watching my mother gently adjust his bowtie and lovingly pat his cheek parted the fracture in my ego a bit more.

I had just climbed into my usual seat in my mom’s brown-ish Pathfinder when my brother asked my parents if I could ride home with him instead. My mom saw no problem with that, and frankly, I didn’t want them to see me spiral into self-loathing, so I languidly slid out of my seat. My parents called out a sharp “be safe” before driving off. I stiffly fell into the passenger seat of my brother’s forest green Saturn and absentmindedly ran my hands over the cold, beige fabric beneath me. Ramses started the car and the dusty vents shakily vrrr-ed alive, shooting stale heat straight up my nose.

As he had never been comfortable sitting in silence, Ramses talked and talked. But, in that moment, listening to him was debilitating, so I, too weary to care, responded with one-syllable non-words. I lifted my finger and played with the air vents, showing that I was far more interested in anything but our conversation. Eventually, he stopped talking. There was never such a thing as an easy silence between us, but something felt particularly tense. I sat up straighter and angled myself away from my brother instinctively. He gripped the steering wheel, his posture rigid.

I imagined that he’d grown weary after eighteen years of loving someone, who believed they hated you; perhaps the sick feeling he got whenever I glared at him had grown to be too much; maybe watching me sit in his passenger seat, ignoring him, unbothered, was his undoing. I don’t remember at what point in the ride he decided he didn’t care anymore, or perhaps he cared too much to let things go on as they had been any longer. I do remember my attention snapping to him when he asked me why I hated him. I watched as his statue-like façade shattered around him. His tears pricked and cut his throat to the point that his once smooth, solo-worthy voice had turned into a sharp screech. He gasped for air as he apologized again and again, begging me to forgive him. My head pounded, and my heart had slowed as if it too, was scared to make a sound. I wanted to hold his hand, comfort him somehow, but I stayed still. I remember the way his mouth contorted into a silent scream, and how his grating gasps pierced my eardrums.

We were outside for so long that Ma eventually came out, announcing her presence with a knock at my window. We tried to clean our faces faster than the speed of the glass rolling down, but she knew.

“¿Qué están haciendo?” Her arms were crossed tightly, and she bent down to gauge the truth from our teary eyes.

I cleared my throat and tried to think of a response that wasn’t, “Oh, just discussing the resentment I have for your son.” But before I could, Ramses spoke,

“We both just got emotional about this being my last concert ever and me graduating. We were just about to go inside. Sorry for staying out here so late, Ma.”

I tried to keep a convincing and not-at-all-shocked expression on my face as we waited for Ma to assess our lie. It was clear she didn’t believe us, but she accepted her son’s words and went back inside. I turned to my brother and for the first time, I saw him. My siblings and I know that we’re not allowed to hate each other–that’s our mom’s big rule. I stared into his utterly gigantic brown eyes and suddenly all I could see was the eight-year-old boy who yanked a first-grader to the ground for pulling my braids. I saw the boy who used to speak up for me during arguments because I was too frightened to. I remembered how, for two weeks, he helped me figure out which song from Children of Eden would best showcase my voice for my audition; how he stayed up late on a school night to help me rehearse until my throat was strained and the notes came out crooked. He did all those things for me, meanwhile, I had been doing everything I could to beat him at something.

*****
Sometime after Ramses had graduated, we went on a drive–I have no idea why or what we were doing before that. I do know, however, that all we wanted were a couple of Wendy’s 4-for-4 meals. We’d always order two–I’d give him the burger from my meal, and he’d give me his chicken nuggets. Usually, we’d drive home, turn on one of our shared comfort shows, and ravage our tepid dinner. We always finished before the first episode was over, but we’d keep watching late into the night. But that night, we decided to pull into the deserted Target parking lot and listen to a playlist we’d comprised of songs from our childhood. We laughed and talked about school, friends, work, the sadness I felt as a fry fell from my grasp to the void beneath my seat. We somehow made our food last longer than usual, neither one of us wanting a reason to end the night.

Eventually, we decided it was time to end our Midnight Parking Lot Extravaganza. Ramses scrolled through Spotify, finding the perfect song to end our night with. As the speaker coaxed out the sweet piano of A Thousand Miles by Vanessa Carlton, we started dramatically whisper-singing the lyrics until the song picked up tempo and we joined Vanessa with fries in our mouths and freedom in our lungs. Ramses stomped his feet on the floor of his car, while I slapped my thighs to the beat. I banged my hands on every surface of his car and watched as my brother threw his head back and belted. I laughed at how visible the tendons in his neck had become through the sheer force of singing. Our sugar-laden drinks made our throats thick with sticky syrup. We were no longer weighed down by the strict metronome of a sophisticated choir song, nor focused heavily on when to breathe and when not to breathe as we pirouetted ‘til our calves bled. We sang. And screamed. And laughed until we choked. Lacking any perfection our directors had ingrained in us over the last few years, surely breaking their hearts.

I had never been happier.

*****
It was my last choir concert and the pain that cut through my chest was unbearable. I sat in the front row, trying to stifle my sobs. My hand pressed deeply against my mouth leaving red marks. My fellow choir members whispered around me as they watched me fall apart in my worn, burgundy seat. I hadn’t realized how much this final performance meant to me until I looked out into the shadowed crowd and couldn’t find my family. I didn’t hear the impatient babble of my baby brother, nor the raucous cheering of my older siblings as I stepped onstage. My siblings had been too busy with work, which I’d understood. My parents, however, had made it very clear that they wouldn’t be in attendance. Fair, since our relationship had crumbled over the last two years. At some point, I had decided to stop conforming to the ideals they had set for me, and they didn’t appreciate that. Still, some childish part of me had hoped they would be there. Like they had been for Ramses.

As we wrapped up our final piece, I noticed a bundle of dark curls floating near the steps to my right. My breath stuttered and I missed the final note of my last song. As the audience applauded and everyone rushed offstage, I lost sight of those curls and desperately hoped I hadn’t imagined them. I searched frantically, pushing carelessly through the shifting crowd of teenagers, everyone shifting me back and forth. I had barely broken through the first wave when I felt my feet lift off the floor as someone crushed my body, forcing all air from my small frame. I buried myself in my brother’s arms and wept until his shoulder was thoroughly soaked. “I’m so proud of you.”

“Ma and Pa . . . they didn’t—”

“They don’t matter. You did this. You’re the only one that matters.”

I hadn’t realized it until then, but in that moment, I knew that no matter how badly I screwed up, to Ramses, my worth would always be gold.

*****
EEEK. I stumble between notes, my fingers tripping frantically over the holes on this tiny, infuriating instrument. This children’s toy should not be wearing out my lungs so easily. Somewhere off to my right, I hear someone playing as if they came out of their mother with a recorder in hand. Some distant part of me already dislikes these people for doing so well on the third day of practice. As our professor begins teaching us how to breathe, I take a step inside my mind and throttle fifteen-year-old me. Let it go.

This is not my passion–it’s a grade. No one is judging me or competing against me. My worth will not be measured by an arbitrary skill. My professor raises his recorder to his lips, forming an awkward lump in his mask. We all follow suit. He taps his foot, giving us the beat, and counts us in. I take a steady breath, and blow.

Megan Sanders

River Seine

scholarship

My mother made me
crepes one morning, and, with the smoke
milling around the kitchen table,
we shared a brisk morning of
nothing, but the birds singing,
sizzle of a hot pan in the rare
quiet of the house, before anyone stirred.

It reminded me of a memory in Paris
when I was young, ambling
along the river Seine, a quiet,
foggy morning. Gentle
white wisps tickling
my red nose and the tips
of my fingers shoved
into the pockets of a coat I’d been bought
just for this adventure with my mother.

my childhood eyes aghast
at a world out of a painting from
the big museum we’d gone to yesterday.
Like those painters, I imagined what it would

be like to capture the subtle pink
and grey waves into a bottle,
not unlike one my grandfather would have
picked up, the glass stranded
on a beach somewhere,
so I could live there after
we returned.

We could sit at our table and trade
words on living
on a boat–my mother insists
a catamaran–I’d keep in the frosted purple bottle,
on the waters of the Seine. A quiet sway
as Monet’s water lilies drift lazily by.

Zenda Olson

Chapter One: The Portal

scholarship

Tim’s neck ached; his head bent over a computer screen. His arms, almost numb, were stone limbs on the desk while his hands slaved over the chrome keyboard. The chair he stole from some bio–lab several doors down helped since it was padded, complete with armrests if he ever decided to rest his arms. The ones provided for him in the A.I. sector were surprisingly low–quality. After working in AI for eleven years, one notices how much padding is on the chairs.

Maybe the military fucks that run this place thought AI personnel spent all day on their feet, dancing with robots, Tim thought. In a way, he had been dancing with a robot for the last forty–eight hours. However, this dance was simply Tim throwing his rubber ducky at the wall when the coding for S.A.D.I.E crashed again. S.A.D.I.E, also known as the Spatial Analysis and Database Identification Eco–Communicator, was a project Tim had been working on for over a year now. Ever since the exploratory team realized they were often clueless to new languages, dangerous organic compounds, and other environmental changes one might encounter on a new planet; Tim began developing the ultimate survival tool.

There was no one else here, as far as Tim knew. After all, it was two in the morning. The only ones here would be several levels below him watching the portal. Tim wished he could be part of the team that took S.A.D.I.E through. The reality was his position as a computer rat didn’t permit otherworldly adventures. Well, maybe he shouldn’t say otherworldly; he had been to other planets. However, this location was nowhere in the current planetary mapping system, according to his supervisors. Everything was rather hushed up, but he gathered that the portal led somewhere outside this reality. Tim wasn’t entirely sure of the details. It wasn’t his job to know, and the fact that he had gathered as much information as he had was honestly impressive–a testament to his nosy tendencies. He sighed, leaning back for a moment to drink some water. Tim also managed to overhear that the exploratory team would take a significant staff cut. Most of the diplomats and humanitarians were laid off. Instead, a group of peacekeeping personnel would replace them. The sudden need for an increase in manpower and machinery made Tim nervous. It was almost cruel that he had to work for over a year on S.A.D.I.E only to have her used by some trigger–happy bootlicker. At least, that’s who Tim imagined. In reality, there was probably a qualified biochemist or a general interplanetary bio–specialist chosen for the mission. No matter who was going, it wasn’t Tim.

“Okay,” Tim started, staring at the prototype. “Let’s try this again. Hello, S.A.D.I.E!”

The light on S.A.D.I.E’s screen flickered on, and she replied, “Hello – Tim.”

“Good! S.A.D.I.E, is the air breathable?”

“Yes – Tim.”

Tim enjoyed listening to S.A.D.I.E's voice. First, it was an indication that she worked properly. Second, her voice sounded clear and neutral, like she knew the answers to everything.

“Yes! Good, S.A.D.I.E, and how do you know it’s breathable?”

“The air is breathable – you are breathing the air – Tim.”

Tim held back a laugh. “Yes, S.A.D.I.E, but how come I can breathe the air?”

“The air is breathable for carbon–based lifeforms like you – Tim.”

“I guess that is correct. What is the air made of?”

“The air is made of about 78 percent nitrogen, 21 percent oxy –” as S.A.D.I.E went on, Tim suddenly felt a strange chill go through his entire body. He stopped listening, looking around to see if a window had been left open. The chill, however, left him rather quickly.

“I think maybe I should call it a night...”

“It is not nighttime – but daytime – Tim.”

“Yes, goodbye," Tim said, repeating the code words that indicated S.A.D.I.E's power–off feature.

“Goodbye – Tim,” S.A.D.I.E said as her lights went out.

As Tim was packing up, the sounds of the building settling made him feel as if someone was walking around, listening to his late–night conversations. He decided to stretch a little, take a few breaths. After all, it had been a long night. He was probably just tired. “Paranoia strikes deep,” he mumbled to himself, eyeing the dark hallway before continuing to pack up. While zipping up his backpack, Tim glanced at S.A.D.I.E. He didn’t think he was supposed to take her home. However, no one had said otherwise. She had been in this building her entire life. However, at this point, S.A.D.I.E was nearly complete, requiring very little technical work. At this point, she needed environmental testing, Tim thought.

“It might actually do some good to run your tests outside,” he said. “After all, you are a biotech creation. You need to understand new environmental interactions.”

“You’re almost ready to be sent out, which is good since they are leaving soon after they complete some more tests or whatever. Who knows, but we all have deadlines, don’t we, S.A.D.I.E?”

So, Tim took S.A.D.I.E and made his way down the gray, life–sucking hallway that lingered with the smell of a shaky moral compass and an overabundance of citizen tax dollars when the chill returned. He could feel his hair standing on end, his body, strangely frigid. Tim's breath rose in a small cloud before him. The air felt like small rows of needles running across his body. His cheeks began to flush, and his limbs grew rigid and difficult to move. Instinctually, he hugged himself, pulling his loose–fitting hoodie closer to his body. The thin fabric, however, did very little against the quickly dropping temperatures. Then, the light sensors switched off, leaving him in the dark. Tim stopped, caught off guard. He wanted to move, but his heartbeat was pounding, and his body was rather numb.

Then, Tim felt a cold breath tickling his ear.

“Hello?!” Tim questioned, turning around. The lights came back on, one of them flickering, but no one was there. Instead, the hallway was covered in shiny chilled branches of ice. The crystal shapes were scintillating; thick icicle spikes caught the flickering hallway light. Along with the ice, frost grasped the walls and floor like growing tree roots. After a moment of observation, Tim realized the frozen landscape was not stationary but slowly creeping toward him. He instinctually ran toward the stairwell and ripped his phone from his pocket.

Something had gone horribly wrong.

“Hello? I’m in sector three,” Tim began speaking into his device, breathing heavily as he sped down the stairwell. “You need to send someone down here. I think there’s been a breach or an accident! Hello?!” Tim glanced up as he spoke. The ice and frost followed, moving along the walls and down the stairs.

“Hello,” a voice answered, “an emergency service personnel will contact you shortly – please stay on the line.” “What?!” Tim screamed, realizing he was talking to a machine. “What do you mean stay on the line? There should be someone there twenty–four seven.”

“Please stay on the line.”

Shit.

Tim did not stay on the line. He hung up the fucking phone and fled into the building's lobby, which was, of course, completely covered in ice, including the exits. All the artistic statues of space exploration, the benches, the mini–restaurants, and the security section were all masked with walls of frozen bullshit.

“Are you fucking kidding me?!” Tim exclaimed, realizing his place of work was now a frozen icebox.

He shook his head, frantically glancing around for a way out. Where was everyone? This seemed like a bit of a problem to Tim; ice didn't move that fast. Someone in a bio–lab had probably fucked up, so where was security?

That’s when a cold breath, like a small gust of wind, blew past Tim, kissing his lips with pins and needles. The cold felt more intrusive than the normal frigid air, like it would move inside Tim's body, overcoming his organs with ice. Then, while he stood shaking in the lobby, a soft voice echoed the word: elevator.

“E–elevator?” Tim couldn’t be sure if he had heard a voice, or if his thoughts were abnormally loud. He decided it must be the latter. “No, Tim, that’s stupid; it might be frozen...”

Nevertheless, he went to check, having no other foreseeable options. Surprisingly, the elevator was ice–free. Odd, Tim thought, but even if he took the elevator, what floor would lead him out?

The voice whispered again: negative seven.

“Seven floors down? I don’t even have access to that level––” but even as Tim conversed with himself, he realized ice was creeping toward his feet. If he stayed here, he would die. Fuck. Seven floors down it is. Tim opened the elevator, got his ass in, and closed the doors behind him before pressing the button for negative seven, a floor he had never been to. The elevator groaned before descending. Tim took out S.A.D.I.E. Maybe she would have answers.

“Hello, S.A.D.I.E. Did you happen to identify the frozen material around us?”

“Hello – Tim. Frozen material: Ice, the solid form of water.”

“Yes, S.A.D.I.E, but the ice was growing incredibly fast. Are you sure there isn't anything else in the ice?”

S.A.D.I.E took a moment, a loading a swirling animation on her screen. Finally, she responded with, “frozen substance in the lobby – water containing organic material – origin unknown – sentient.”

Sentient? Tim shook his head, unsure what to think. The elevator stopped, opening the double doors to reveal a short, dark hallway with a single door. The walls were gray, lined with a yellow reflection stripe. Tim could only make out the door at the end from the elevator light. A faint dripping sound emanated from somewhere unseen, and the stale smells of sterilization and mildew permeated the air. This was the access point to negative seven.

Tim stepped out, and the elevator door shut. In the grim underground, automated lights attempted to flicker, evidently yielding to the cold, leaving Tim in the dark. He gripped S.A.D.I.E, who provided a faint light source.

“S.A.D.I.E?” Tim whispered, feeling that an ice monster might appear.

“Yes – Tim?”

“You said it was sentient and had no known source. Please explain your findings.” As Tim spoke, he tried to make out the door down the hall, slowly walking towards it.

“The sentient organic material has no source on this planet or in the planetary index. Its biological makeup does not exist in our systems based on the scan I conducted while in your backpack – Tim. Its only true origin source seems to be behind this doorway, based on the travel pathways of the ice formations. I also recorded it sending considerably strong, neurobiological waves to your neuropathways.”

My neuropathways? I’m sure that’s nothing to worry about, Tim thought.

His outreached hand eventually touched metal; he found the door. Unfortunately, the fingerprint pad and ID scanner were frozen over, and a passcode was required.

“Behind this door?” he asked S.A.D.I.E.

“Yes – Tim. The growing material seems to have originated from this level.”

Tim nodded, closing S.A.D.I.E and putting her back inside the safety of the backpack. He found himself wondering why in all of creation he decided to come down and engage this doorway with a staring contest. It’s not like he knew the passcode or had any viable form of identification. Then, in his ear, he heard: Agln89N AONFOeo82y.

“Entering random numbers and letters will just sound off the alarm, dumbass,” Tim mumbled, typing the numbers into the touchpad. At this point, he wasn’t particularly worried. If an alarm sounded, maybe someone would finally show up and rescue him like the damsel in distress he was. However, the light went green, and the door opened. Tim stared wide–eyed. Had he accidentally hacked into some vital information about this place during his free time? The thought mildly terrified him. He shouldn’t have gotten this far, but there was no going back now.

“I didn’t know our security was that bad, S.A.D.I.E. No wonder we got taken over by ice.”

Tim walked into the frigid underground laboratory, and there was the portal. It looked like Tim expected it might with its oval shape, chrome platform, and glowing front. However, it also bore layers of frozen death around the edges. Huge chunks of ice protruded out of the opening. The room was a frozen wonderland with large icicles like teeth hanging from the ceiling and rising from the ground. Tim shook, feeling even colder here than anywhere else so far.

The portal was the only light source in the room besides the faint red glowing lights above that signaled a breach in security. It emanated dim purple light, its contents swirling around like glittery paint. Its rim: a single smooth dark grey metal structure attached to the floor. Under the ice, the room was lined with several computers and a large generator that powered the portal. As Tim walked forward, he also noticed the floor clung to his shoes. Looking around, the sticky substance, which was dark and glimmering like melted hard candy or spilled soda, stained several ice blocks.

A strange, funky smell, perhaps of broken equipment and body fluids, filled the air. It was gross, almost overpowering. Tim monitored his breathing to keep from feeling sick, hoping nothing was toxic. However, that became almost impossible when his eyes followed a red trail up the ceiling. Dripping on the ice blocks below was human blood. Several bodies were trapped under long ominous bands of ice stretching across the walls and ceiling like an infectious poison. The bodies were not completely covered in ice, which allowed fluids to drip and fumigate the room.

“Well, I think I’ve had enough radiation poisoning and cursed scientific labs for now. Not today motherfuckers. I’m trying a different floor.” As Tim said this, turning to leave, the entrance door dramatically shut, closed, and sealed with ice.

“Or...” Tim continued, “I could die a horrible alien death in the basement of my government–funded workplace. That’s fine too.” Then it occurred to him an exit still existed. He faced it again, watching the portal swirl melodically. He felt emotion rise to his throat as if he might be planning his death. There was nowhere else to go, no other way out besides the portal. He could stay in this room or step through the other side; either choice felt suicidal to him, but at least the portal provided hope. He began walking toward it.

“Did you call me here?”

No one answered so Tim kept talking. After S.A.D.I.E mentioned the neuropathways sent to Tim, he grew more skeptical of the whispers and loud thoughts he had been hearing.

“Because I didn’t put myself here. Also, you killed my coworkers,” Tim continued, “which is a lot of trauma I’m going to have to figure out later. But you haven't killed me yet––you weird, alien ice portal.” He watched the ice gripping the sides of the portal and imagined it was listening.

“Unless, of course, this is how you lure your food to death. I’ve been getting that impression all night, but I didn’t want to say anything. It might have sounded rude.” He smiled as he spoke, sharing these last jokes with himself. Then, he took out S.A.D.I.E, and stuck her into the portal. The air on the other side felt cold but not deadly. His fingers did not freeze. Instead, they felt a bit wet. Maybe it was raining.

Tim brought his hand back and looked at S.A.D.I.E. The atmosphere was breathable, according to her. The water was drinkable. It seemed safe, that is, if S.A.D.I.E was working properly.

“What do you know? I’m the chosen one, after all.”

There was no reply, but Tim still had a couple more things on his mind. This might be his last moment on this planet. After today, the life he built was over. There would be no family, friends, potential lovers, or anyone, but him and S.A.D.I.E. “You know,” Tim stated, “I haven’t dated anyone in seven years. Seven years. Why did I choose to spend so much time talking to my computer instead of talking with someone who mattered? I guess S.A.D.I.E mattered, but did anything else? I couldn't tell my family what I do for a living. Of course, what does that matter if this entire planet gets eaten by alien ice invaders, right?” Tim felt himself tearing up a bit. The thought of leaving terrified him, so maybe it was easier to think he was leaving nothing behind. After all, what was he leaving behind? At one point, fast–tracking twenty–two years of school in five felt like a big deal. Once upon a time, Tim graduated college at thirteen. He was exceptional, and every great mind wanted to tutor him. Then he got a job talking to annoying computer programs, to numbers, to lights on a screen. He stayed up late at night, cracking jokes with an animated voice while drinking BubbleCup soda, pretending he couldn't smell his crotch. It’s not like he never wanted social interaction; he didn’t know how to find it. S.A.D.I.E might be a pain to program, but she was also a better listener than his coworkers or the random people he messaged online. Now, he could go somewhere new. He could be something more.

Tim took a long, deep breath. Fatigue was hitting hard, and all he had on were soft shoes, jeans, a short–sleeved shirt, and a zip–up sweater. Not what one might pack for interplanetary or interdimensional adventures.

“Here goes nothing,” Tim said, taking one final breath in negative seven before stepping through the portal into the unknown.

Justin Criado

Cyclops

scholarship

I’m not one to be too sappy, especially publicly, but this is a love letter I must share with you all. On the eve of Halloween, I fell for a Cyclops, and it’s going great. It’s not as interesting as you may think, though the unusual union happened without warning. While proofreading the newspaper I work for, I couldn’t help but notice an ad for a one–eyed, black kitten named Ripley.

I immediately called the humane society and submitted my application. The next day I found myself perusing the pet aisle for everything I’d need for my little Cyclops–kitten chow, litter box, toys–before heading to Ripley’s house, where I decided to go through with the adoption, even though he didn’t pay much attention to me. He’s playing it cool, I thought.

He’d recently lost his left eye after his cornea ruptured due to an upper respiratory infection. He’d been fixed shortly after, too. To say he had a rough couple of weeks would be an understatement. Other than that, he was a healthy four–month–old kitten.

Some may see his ocular oddity as grotesque. What hellish world claims a kitty’s eye, you might say. I’d say it’s quite the opposite. Cyclopes can see the future, as they made a deal with Hades that cost them one of their eyes, leaving them with only one in the center of their foreheads, according to Greek mythology. Hesiod’s Cyclopes were also the blacksmiths of the gods, crafting thunderbolts for Zeus, an invisibility helmet for Hades, and Poseidon’s trident.

Since my little Cyclops moved to his new home in Telluride, he hasn’t spent much time hovering over a hearth or prophesizing like some one–eyed Nostradamus, but he does have special powers, I’ve come to find out.

Whenever I lie down to read or rest, Ripley jumps onto my chest, and we lay face–to–face. As he purrs and plays with my beard, he’ll nudge his head forward, and we’ll rub our noses together. I call this display of affection a Ripley kiss, and it’s one of the purest forms of love I’ve experienced, even when he wakes me up at 4 a.m. to give me one.

While I spend most of my days hunched in front of the work computer, Ripley sits next to me, rubs against my feet, or rolls around the coffee table in front of the screen, particularly when he wants to get my attention. One busy workday I threw one of his mouse toys across the room. He quickly ran after it, and within seconds, brought it back to my feet. Between editing and writing, I’d toss the mouse to different areas, and every time, Ripley brought it back to me. If I didn’t grab and throw it quickly enough for him, he’d meow and bite my big toe. I can’t believe it, I said to myself, he taught me how to play fetch. Now he knows to drop a toy on my toes whenever he wants to burn some kitty calories.

When I’m not on the clock, Ripley and I like to relax and watch TV. He enjoys sports, especially baseball and football. It’s funny to watch him follow the action so attentively, head bopping, ears twitching. When we’re watching the Steelers on Sunday, I like to say he’s a black–and–gold cat.

Halloween season also means horror movies, and Ripley is coming around. He’s not immune to jump scares, so he’s more a fan of the black–and–white classics. We recently watched Cat People. He seemed to like Simone Simon’s shape–shifting character.

My Aunt Debbie, an avid animal lover and activist, told me I’ll start hating people now that I own a kitty. That’s already the case, I explained. We both laughed and continued to talk about the benefits of cats, but don’t take our word for it. For as much as he wrote about hangovers and hookers, Charles Bukowski can be viewed as a pseudo cat expert or oracle. He once linked our furry friends to immortality:

The more cats you have, the longer you live. If you have a hundred cats, you’ll live ten times longer than if you have ten. Someday this will be discovered, and people will have a thousand cats and live forever.

Maybe people with a legion of cats aren’t “crazy” after all.

There’s a whole book of Bukowski’s cat musings.

Like this: Having a bunch of cats around is good. If you're feeling bad, just look at the cats, you'll feel better, because they know that everything is, just as it is.

My little Cyclops blinks his phantom eye as I chuckle to myself over such quotes. To think, some people believe black cats are bad luck. It’s a uniquely Western myth, as black cats are considered good luck in Japanese culture. Ironically, the Greeks are the ones responsible for casting felines with black fur in such an unfavorable light.

During the time of gods and monsters, Hera, Zeus’ wife, turned her servant Galinthias into a black cat as punishment after she tried to hinder the birth of Hercules. Galinthias then went to work for Hecate, the goddess of witchcraft, and black cats have gotten a bad rap ever since.

I look at Ripley and smile. That’s funny, I tell him, in my experience, it’s the blondes and their two big blue eyes that have always been the harbingers of horror and hardship.

Veronica Graham

Midnight Snack

scholarship

BLACK, THE SOUND OF A TV is heard. CUT TO

INT. COLLEGE DORM, LIVING ROOM

SIDE PROFILE OF our protagonist, a STUDENT roughly 20 years old, sits blankly in front of the television, disinterested. She turns off a TV and a rumbling is heard. CUT TO rubbing her stomach as a growl is emitted. CUT TO inside of an empty fridge. PROTAGONIST groans.

STUDENT
Take out it is.

INT. COLLEGE DORM, BEDROOM CLOSET

A hand reaches into the closet to grab a coat. CUT TO slipping the coat on. CUT TO close up of KEYS being snatched off a table and a door slams shut.

EXT. DORM BUILDING–NIGHT

STUDENT leaves the building, scanning the surroundings. She seems to be looking out for something, or someone. PANNING POV across the parking lot. CUT TO CLOSE UP on STUDENT’S face as she sighs and walks out of frame.

EXT. SIDEWALK ALONG HIGHWAY

TRACK the STUDENT’S walk as cars drive by in the background. She seems to stop suddenly. CUT TO POV wherein a man is seen ahead. He has a drunken stupor and can hardly keep himself upright. Each step is a chore. CUT TO CLOSE UP of his staggering feet barely shuffling across the pavement. This man is completely wasted. CUT TO WIDE. The man reaches toward a pole to steady himself, but misses, collapsing face first on the ground with no attempt to catch himself. His fall is reminiscent of a small dog on a flight of stairs. He cries out as he falls.

THE MAN
Oh shi–!

CUT TO the STUDENT looking alarmed and rushing to his aid.

STUDENT
Hey, are you alright?

He looks up, and the irritated and confused look he had shifts to a dopey grin. He speaks with a slight slur.

THE MAN
Yeah, it seems an angel has come to my rescue.

She smiles politely, not charmed by this interaction but feigning amusement.

STUDENT
Why don’t we get you back up?

She reaches down to help him as she speaks and gets him back upright.

STUDENT
Is there a friend you could call–

He cuts her off.

THE MAN
You know my place is just…

MAN’S POV as he points behind her, his finger unsteady.

THE MAN
…over there. Maybe you could walk me?

STUDENT seems more than intimidated, maybe a little frightened, and certainly does not want to oblige, but she gives in.

STUDENT
(sighing)
Uh… yeah, sure.

A bright smile spreads across the man’s face

THE MAN
Great.

They situate themselves so that THE MAN leans in toward the STUDENT. His arm drifts around her waist while she puts an arm around his shoulders.

THE MAN
You know, if we’re already headed my way maybe I could get you a drink... some food…

CUT TO his hand dipping below her waist to grab her ass. CLOSE UP of her face, eyes wide and clearly agitated. But then her eyes widen, something just clicked. The agitation melts away and a smile creeps onto her face.

STUDENT
Actually... why don’t we go to my place?

THE MAN
(With a tinge of excitement)
Wha–Are you sure?

This is asked out of courtesy, he clearly has made up his mind about what he wants.

STUDENT
Yeah, you know, it’s probably safer if someone watches you. You seem really drunk.

THE MAN
(laughing)
Oh, trust me, sweetheart, I can still do plenty.

She laughs too but they are laughing at very different jokes. CUT TO

INT. COLLEGE DORM

THE MAN’S shoes and jacket are hastily thrown across the floor trailing to a dark bedroom with the door cracked. The STUDENT, however, is in the kitchen. She stands over a sizzling pan humming a tune and smiling to herself. CUT TO the dim bedroom. The crack of light shining from the other room reveals an unmoving hand, splattered with blood and lying in a pool of crimson. CUT TO the STUDENT setting down a dish at the table. It appears to be meat. When she cuts into it, the rare pink inside is exposed. CAMERA PAN follows the fork of “food” from the plate to her mouth. When the camera reaches her face, she smiles and winks. The hunter has caught its prey.

CUT TO BLACK.